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Music Electronic Media and Culture

Music  Electronic Media and Culture
  • Author : Simon Emmerson
  • Publsiher : Routledge
  • Release : 29 April 2016
  • ISBN : 131709171X
  • Pages : 262 pages
  • Rating : 4/5 from 21 ratings
GET THIS BOOKMusic Electronic Media and Culture

Summary:
Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and invigorating as well as exploitative and destructive. This book addresses some of the issues now posed by the brave new world of music produced with technology.


Music, Electronic Media and Culture

Music, Electronic Media and Culture
  • Author : Simon Emmerson
  • Publisher : Routledge
  • Release : 29 April 2016
GET THIS BOOKMusic, Electronic Media and Culture

Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of

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Music, Electronic Media and Culture

Music, Electronic Media and Culture
  • Author : Simon Emmerson
  • Publisher : Routledge
  • Release : 29 April 2016
GET THIS BOOKMusic, Electronic Media and Culture

Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of

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Electronic Media and Technoculture

Electronic Media and Technoculture
  • Author : John Thornton Caldwell
  • Publisher : Rutgers University Press
  • Release : 09 August 2022
GET THIS BOOKElectronic Media and Technoculture

Never before has the future been so systematically envisioned, aggressively analyzed, and grandly theorized as in the present rush to cyberspace and digitalization. In the mid-twentieth century, questions about media technologies and society first emerged as scholarly hand-wringing about the deleterious sweep of electronic media and information technologies in mass culture. Now, questions about new technologies and their social and cultural impact are no longer limited to intellectual soothsayers in the academy but are pervasive parts of day-to-day discourses in

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Teaching Electronic Music

Teaching Electronic Music
  • Author : Blake Stevens
  • Publisher : Routledge
  • Release : 17 August 2021
GET THIS BOOKTeaching Electronic Music

Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on

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Sound in the Ecstatic-Materialist Perspective on Experimental Music

Sound in the Ecstatic-Materialist Perspective on Experimental Music
  • Author : Riccardo D. Wanke
  • Publisher : Routledge
  • Release : 10 August 2021
GET THIS BOOKSound in the Ecstatic-Materialist Perspective on Experimental Music

What does a one hour contemporary orchestral piece by Georg Friedrich Haas have in common with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound that is found across several quite distinct genres of contemporary art music: the ecstatic-materialist perspective. Sound in the ecstatic-materialist perspective is considered as a material mass or element, unfolding in time, encountered by a listener, for whom the experience of that

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Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture

Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture
  • Author : Simão, Emília
  • Publisher : IGI Global
  • Release : 04 August 2015
GET THIS BOOKExploring Psychedelic Trance and Electronic Dance Music in Modern Culture

The popularization and cult-like following of electronic music has provoked new relations between men and machines, art and technology, and modern shamans and disc jockeys. New technologies and multimedia tools have awakened neo-ritual practices through the emergence of Psychedelic Trance parties, evoking tribal experiences inspired by a new shamanism, mediated by high-tech guide elements. Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture investigates the expansive scope of Electronic Music Dance Culture (EMDC), the rise of Psychedelic Trance culture,

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The New Age of Electronic Dance Music and Club Culture

The New Age of Electronic Dance Music and Club Culture
  • Author : Anita Jóri,Martin Lücke
  • Publisher : Springer Nature
  • Release : 30 April 2020
GET THIS BOOKThe New Age of Electronic Dance Music and Club Culture

This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity

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Pink Noises

Pink Noises
  • Author : Tara Rodgers
  • Publisher : Duke University Press
  • Release : 02 March 2010
GET THIS BOOKPink Noises

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories,

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Electronic and Experimental Music

Electronic and Experimental Music
  • Author : Thom Holmes
  • Publisher : Routledge
  • Release : 08 October 2015
GET THIS BOOKElectronic and Experimental Music

Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. •

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Music, Social Media and Global Mobility

Music, Social Media and Global Mobility
  • Author : Ole J. Mjos
  • Publisher : Routledge
  • Release : 03 July 2013
GET THIS BOOKMusic, Social Media and Global Mobility

This book is about the relationship between media, communication and globalization, explored through the unique empirical study of electronic music practitioners’ use of the global social media: MySpace, Facebook, YouTube and Twitter. To understand the significance of the emerging nexus between social media and music in a global context, the book explores various aspects of production, distribution and consumption among electronic music practitioners as they engage with global social media, as well as a historical, political and economic exposition of

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Inner Sound

Inner Sound
  • Author : Jonathan Weinel
  • Publisher : Oxford University Press
  • Release : 09 August 2022
GET THIS BOOKInner Sound

In Inner Sound, author Jonathan Weinel traverses the influence of altered states of consciousness on audio-visual media, explaining how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance.

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Living Electronic Music

Living Electronic Music
  • Author : Simon Emmerson
  • Publisher : Routledge
  • Release : 29 September 2017
GET THIS BOOKLiving Electronic Music

Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand

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Expanding the Horizon of Electroacoustic Music Analysis

Expanding the Horizon of Electroacoustic Music Analysis
  • Author : Simon Emmerson,Leigh Landy
  • Publisher : Cambridge University Press
  • Release : 07 April 2016
GET THIS BOOKExpanding the Horizon of Electroacoustic Music Analysis

Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. The first part of the book explains the needs of differing electroacoustic genres and puts forward a template for the analysis of electroacoustic music. Part II discusses the latest ideas in the field and the challenges associated with new technologies, while Part III

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